How is a real violin like in terms of string gauges and string tension? We’ll discuss these and more.
The answer isn’t so simple. It really depends on the manufacturer of the instrument. If you want to learn how to play the real thing, we recommend that you follow some guidelines. We’ve tried to describe what you should look for. If the “good practice” you have right now really sucks, let’s look into an alternative.
The good practice for violins comes in two forms: mechanical and “artistic” practice. We have written more about mechanical practice. And the “artistic” practice has to do with the style of the band performing, and how you should feel as a professional musician.
Mechanical practice is good practice for beginners. The best part about mechanical practice is that you can do it anytime, anywhere, at your own choice. You don’t have to be in the same place or with the same people. It’s very flexible and allows you to do things like take notes or practice from paper. You play one piece without a guide, but in a very loose and dynamic fashion—just as you would with an electric guitar. We’ll look at the main types of mechanical practice in future posts.
Now, let’s look at what a real violin is like in terms of the strings and tension. We’ll talk more about musical violins in future posts.
The good practice for strings came from a study by John Cushman and Peter Leys. The study looked at string tension and how it affects the sound. It also showed how the tone strings are different from the trombones and tuba strings.
You play a good amount of string tension for playing on small scales, because your hands are used for more advanced musicality than those fingerboard bones can do. When you play violin on small scales, you have a little bit less body, so that the violin feels more like a cello when you play that way. You also have less wind resistance, which means there aren’t as many strings to vibrate.
If the tension is too much for you, or if there’s too much string to vibrate in a particular key, you have to play in a “mixed tuning”. That’s because the strings vibrate at different frequencies in that key, and most people have to tone down their fingering in order for them to be able to play on those high-frequency notes and be comfortable.
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