It doesn’t necessarily seem so. The value of an instrument varies by its shape, its shape has been a factor in how many violins and viola’s a musician has owned, according to the company. Violins from the Renaissance years, the early days of piano production and early viola production were less popular among musicians because of the curvature of the instrument, while modern violins with a smooth outer surface have held their value because they are more widely used, the company says.
Why did you have to choose the shape to start with?
If it was not possible to design it in the correct material, we would have had to try something new. Like a violina, we are experimenting with different materials to shape each one so that it fits the shape of the instrument.
What about a traditional violin? How would an artist get closer to the instrument?
To design a traditional violin you would think out of the box because you already knew the design of the violin that was the last to be used. By designing a violin that uses new material from the 1930’s into the current material and then going into the factories, you learn something from the manufacturing process. If they make you use a specific material that was also used for a very well-known instrument, you will gain an understanding of production and the process.
So you will be able to understand the process differently when you work with them?
There will be things that I can’t understand. There will be things you can’t understand in your head. But if the material is new, which is what is used in the violin, and they make me use this, I have learnt something, and the process is going to be different. But if you have to start from an existing product, you may be in the same position as me.
How would you use it for playing?
I would use it for other things. That isn’t something I can say right now. But I will say that when I start, I would like to try it on the main strings. I will go through a normal rehearsal and then decide, based on the material that I will hear, whether I want to do two strings or one. I can do a few things and then, once I see if it is really a good instrument, try another one.
Have you gotten any inquiries about a violina?
No. People love the idea of their own instruments. But when they ask me to make a viol
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