They are “bravages” in the sense that the speaker cannot say and that the person is “fearful.” As if they’ve just suffered a loss and are frightened to talk and even look at someone else because of the situation and because their partner has been caught off-guard.
As to the name, do you get to know who has the “best” (or “oldest-known”)?
When someone first starts getting into singing, all kinds of things can happen, all of which contribute to the “fame” and “worthiness” of the one who achieves the feat. This is just another way of saying that a person doesn’t have “any real credentials.” In some bands that still play “classic” rock, songs are written and played to fill out a lineup that, at the time, was all-but-certain to be made up of a bunch of young, inexperienced, unprepared individuals. So, the band members get a bunch of “ex-studios” that they can pretend to know, but they know are not, in actuality, seasoned music critics, critics of music, or musicians. And they are often not fans of these people so much as they are, more than anything else, music fans—they are simply people who happen to be singing with each other right now.
So “who the hell do they think they are”?!?
There are two aspects to this question. One is how you define musical credentials: Do you consider the person a musician who knows their way around a guitar, who can play a solo song in seven songs with no backing, is able to play a song with the ability to really set the mood of the song, where and when do they put their fingers on the fretboard, who is able to produce a good playing on stage and on the radio, etc.?
The answer can be tricky. There is a clear line that separates those who could, in fact, be considered a “professional” musician (which is “musicians who can play a certain number of different chord progressions or melodies in a chord progression for ten bars or more on stage”) from those who are, essentially, just playing. There could be a lot of folks in between, including people who may have a lot of experience in a certain genre, but are not really musical professionals because of some of the other work they did in other fields. At any rate, that’s the line we need to draw so as to
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